BokuMachi presented us with its despondent main character, Satoru, in episode one. A man who was mired in regrets, with a career that hadn’t turned out the way he had imagined, working a second job to make ends meet. Though it went even further than that, showing us that his reserved nature and inability to express himself sincerely had been present even when he was a child. His desire to not get involved with others, and his passive meandering through life were further entrenched with the kidnapping incident.
However, as we saw in the events of the first episode, through his ‘Revival’ power, he’s inadvertently been given a second chance to do things over, right from where it all began.
Notabilities: Itou Tomohiko is an accomplished director with a wide range of series he’s had under his belt, primarily at A-1 Pictures and Madhouse. Occult Academy, Silver Spoon and Sword Art Online are his leading directorial statements, but he’s worked as a storyboard artist and episode director for a number of distinct shows, from Madoka Magica to Michiko to Hatchin and his Madhouse gigs on Death Note, Kurozuka (Araki Tetsurou shows) to Monster, Kobato, Kurozuka and more!
So, it’s fair to say we’re in good hands visually, but what about the writing? Well, I can’t speak to the quality of the mangaka, but he has a distinct focus on psychological thrillers, and this is his most recent, and appraised work, though unfortunately it’s an ongoing manga, so don’t hope too high for a solid resolution.
The series composer adapting BokuMachi is Kishimoto Taku, who worked with this same director before on Silver Spoon, and interestingly, Haikyuu, but the most relevant link, is that he worked on the much revered Usagi Drop.
So, expectations are high, the premise looks unorthodox, it’s not a sword-magic-boobs-highschool show, so lets dive in!